Showing posts with label ribolla gialla. Show all posts
Showing posts with label ribolla gialla. Show all posts

Tuesday, 21 February 2017

The Unending World of Italian White Wine

Italian wine is daunting. I attended Gambero Rosso's Tre Bicchieri event in San Francisco, organised by the prestigious Italian magazine to showcase the top-rated wines from the country. Walking into the old warehouse, I was confronted by over 130 importers pouring several wines from at least one of their highly-rated producers. There were more than 400 wines, white, rosé, red, sparkling, and sweet, from cool to warm climates both inland and near the sea. It's impossible to take in such a diverse range in one tasting, so I took a deep breath and decided to focus on one aspect: white wine made from unusual grape varieties.

I blogged a couple of years ago about how exciting Italian white wine is these days, certainly compared to twenty years ago. The wines are crisp and refreshing, rarely aged in oak, and are very food friendly. Tasting more of the wines confirmed that Italian producers are concentrating on quality white wine, as well as experimenting with old grape varieties to produce wines resonant of Italy's rich history and varied climates.


Vermentino

Wines made from Vermentino were some of the most common whites of the tasting, and it feels that Vermentino is helping to lead the drive to gain greater awareness for Italy's crisp, fresh white wines. Of course, this being Italy, it's not as simple as that. Vermentino is also known as Favorita in Piemonte, Pigato in Liguria (where it's a little heavier and fuller-bodied), and Rolle in the south of France (where it's often used in blends). Vermentino is the most familiar name, with one DOCG and twenty-two DOCs, all in central/north-west Italy and Sardinia. I think it's at its best grown near the coast, when the wines have crisp acidity and salty aromas; there can also be some nuttiness from lees ageing to give the wine weight and texture.

Pala Vermentino di Sardegna Stellato 2015

The warm island of Sardinia produces surprisingly fresh, acidic white wines, especially from Vermentino, of which this is a very good example - like nearby Corsica, which also produces good Vermentino, the coastal influence is all-important. It's made from 45-year-old wines, which gives it a concentrated intensity; the acidity, as one would expect, is crisp and fresh, and there's a creamy texture from three months lees ageing. ✪✪✪✪✪

Bellone

Bellone is a variety I had never heard of before. One of the fascinating aspects of tasting these wines is that Italian winemakers are returning to obscure quality grape varieties - for red wine too, but I feel particularly for white - that had been neglected throughout the twentieth century. Bellone is now rarely planted, mostly in Lazio around Rome, but, as it is susceptible to noble rot, it once formed the backbone of good sweet wine drunk in the capital city.

Casale del Giglio Antium Bellone 2015

I tasted two wines from Lazio producer Casale del Giglio: the wines were fresh, floral, and aromatic, and noticeably acidic. Their single-vineyard "Antium" was a wine that, on top of that freshness, was weighty, gripping, and nutty. ✪✪✪✪

Carricante

Carricante is the main grape variety for Etna Bianco, where some of the highest vineyards in Italy are planted. A main advantage of Carricante is that it can grow at that high altitude on rocky soils, where little else survives. It produces consistently high quality wine, with relatively low alcohol and high acidity. Sicily may be a very warm island, but it's capable of producing good white wine, with Etna Bianco among the best.

Cantine Nicosia Etna Bianco Vulkà 2016

This is a blend with another local Sicilian variety, Catarratto, named after Etna's volcanic soils. It's fresh, floral, and aromatic, that cooler altitude evident, though the warm influence of the island gives the wine body and weight. ✪✪✪✪


Manzoni Bianco

This is a grape with an unusual history. It's a crossing of Riesling and either Pinot Bianco or Chardonnay, created in the 1920s and 30s by one Luigi Manzoni. It's now popular with a small number of producers because of its quality despite it being a difficult grape to grow. The representative of Veneto's Italo Cescon said, with a weary yet proud look, that it took ten years to make "Madre," which is made from the variety. It lacks vigour, the berries are small, and the skins are thick but subject to sunburn. Growing such a difficult and obscure grape variety must be a labour of love.

Italo Cescon Madre 2014

Rich, inviting, floral, and aromatic, with a lifting, acidic mouthfeel, although the nose is more interesting and expressive than the palate. For what it's worth, the wine is packaged in a beautiful, long-necked bottle. ✪✪✪✪


Pallagrello Bianco

This grape is so rare that it's barely mentioned in either Ian d'Agata's Wine Grapes of Italy or The Oxford Companion to Wine. Apparently, wines made from the grape were a favourite of the Bourbon king, Ferdinand IV of Napoli, but the variety all but disappeared until it was revived in the 1990s. The grape is indigeneous to Campania and has small berries which get very ripe.

Vini Alois Caiata 2014

I walked away from tasting this wine rather underwhelmed, as it's very acidic and rather neutral at first, but its lingering spicy finish made me rethink. That acidity and the subtle aromas make this a good wine to pair with white fish. ✪✪✪✪✪

Pecorino

Pecorino is a great example of how Italian wines have changed over the last twenty to thirty years. An ancient variety that was largely forgotten about, it was rediscovered in the 1980s and is now thriving, producing popular, aromatic, full-bodied wines. It's mostly grown in Marche and Abruzzo in the east near the coast.

Velenosi Offida Pecorino Rêve 2014 

Offida Pecorino is a DOCG which produces the best Pecorino. This wine has an acidic backbone with a spicy bite to it; that acidity is offset with a rich, creamy, nutty mouthfeel. Rich but refreshing - another example of a wine which would be enhanced by food. ✪✪✪✪✪

Ribolla Gialla

Fruili is an area where outstanding white wines are made from a wide range of varieties, including international well-known grapes such as Sauvignon Blanc and Pinot Grigio. The whites are crisp, fresh, and aromatic. Ribolla Gialla is a little bit different, as it can be quite neutral and highly acidic. The best grapes are grown in the Colli Orientali del Friuli and Collio DOCs, in which the Rosazzo and Oslavia vineyards, respectively, stand out. Because of its acidity, many producers make sparkling wine from it; because of its neutral aromas, others experiment with skin contact, its yellow skins (gialla means yellow) giving the wine a rich gold colour. Although experimental and fashionable, these skin-contact wines are quite old-fashioned, a reminder of how Italian white wine must once have tasted: heavy, rich, and grapey.

Primosic Collio Ribolla Gialla di Oslavia Riserva 2012

With nearly a month fermenting in contact with its skins and a further two years ageing on its lees, this is a wine with a deep gold colour, weighty and nutty, and definite tannins. The grape's natural acidity lifts the wine, but this is a wine for the sommelier rather than the drinker - and one that is very different from the fresh, crisp whites being made across Italy. ✪✪✪✪

Zibibbo

I recognised the name Zibibbo but it had been a long time since I had tasted a wine made from the variety and I couldn't remember too much about it other than it is planted in Sicily. Smelling a dry version from Sicily's excellent Donnafugata, I immediately thought it was just like a wine made from Muscat: aromatic, floral, and very grapey. It turns out, in true Italian style, that Zibibbo is actually Muscat of Alexandria (or Moscato di Alessandria), grown throughout Spain and Portugal as Moscatel - though Zibibbo is probably an older name. It's responsible for one of the great sweet wines of Italy: Passito di Pantelleria. Pantelleria is a small Mediterranean island off the coast of Sicily, while passito refers to the practice of drying the grapes after they are picked to concentrate sugars.

Donnafugata Passito di Pantelleria Ben Ryé 2014

Donnafugata's Ben Ryé is one of the leading examples and it's a wonderful sweet wine, rich, lush, and aromatic, with plenty of floral and dried fruit aromas, and a refreshing acidity. Its acidity makes it refreshing enough to drink on its own, but drink this with cheese after a meal to soak up the richness of the wine and as a contrast to a cheese's stinky aromas. ✪✪✪✪✪✪

These, of course, are just some of the many, many grape varieties grown across Italy, making increasingly interesting white wine. Traditional areas such as Soave and Verdicchio dei Castelli di Jesi are returning to form, while elsewhere producers are looking at once-forgotten varieties. Italian whites are marked by a refreshing acidity that makes the wines very food-friendly. As confusing as the many names and regions are, the quality of Italian white wine makes them worth investigating.

Thursday, 14 May 2015

Italian Whites

The reputation of Italian white wine has never been as high as its reds, even though sweet whites have been made since Roman times and Chianti was originally a white wine. Until recently, the grapes were often fermented at too high temperatures, causing the wine to lose its aromatics, and the wines would be made even flabbier by skin contact and unnecessary barrel ageing. Italy's ubiquitous white grape, Trebbiano di Toscana, also didn't help the reputation. Known as Ugni Blanc in France, the grape is bland, neutral, lifted only by high acidity (which is why it's used for making Cognac).

The last twenty years, however, have seen a huge improvement in the quality of Italian whites, with fermentation at lower temperatures and in stainless steel vats. There is now a wide range of well-made, fresh, aromatic whites to choose from - some of them inexpensive for everyday drinking, others of higher quality but still good value.

In preparation for my Diploma exam, which is in June, I've been tasting some Italian whites to get a sense of the different identity of each variety and the region they come from.

Pinot Grigio


Such has been the transformation of Italian whites that Pinot Grigio is almost synonymous with white wine. Refreshing, easy, slightly fruity, and inexpensive, wines from Pinot Grigio dominate wines by the glass in bars and restaurants. The grape is the same as Alsace's Pinot Gris (the grey of the name referring to the grape's dark coloured skins), but produces a completely different style of wine as the grapes are picked much earlier, keeping the acidity high but the aromas more neutral. Richer versions are picked later, maintaining acidity but adding aromatics. These full, floral wines defy Pinot Grigio's reputation and can be very attractive and still well priced. The popularity of the wines has seen plantings mushroom in Italy: from 3,500ha in 1990 to over 17,000 today. It's found all over the north-east of Italy, mostly in Veneto, but also in Trentino and Fruili, where the best and richest examples come from. 

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Blason Pinot Grigio 2013, Fruili ($9.99)
This a good example of a fuller version of Pinot Grigio: very floral (honeysuckle, acacia), with stone fruits (peach, apricot) and tropical fruits (melon, pineapple). The finish is quite spicy, with nutmeg and ginger. All at a very low price. ✪✪✪✪

Cortese


Cortese is the grape of Gavi, a town in Piemonte. The grape is notable for high acidity and mineral aromas. It also produces high yields, which can lead to overproduction and rather neutral wines. This is what happened in the 1980s, when the popularity of Gavi declined after its heyday in the 1960s and 70s due to an excess of insipid wines. The quality of Gavi is rising again, producing good value, faintly aromatic, refreshing, and lightly rich wines. The best wines are labelled Gavi di Gavi or Gavi di Tassarolo, and the most concentrated wines come from the subzone of Rovereto.

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Terre da Vino Agricole Masseria del Carmenitani 2014, Gavi di Gavi ($11.99)
Sweet, ripe fruits on the nose of melon, watermelon, and pineapple, with floral notes of roses and apple blossom. The palate doesn't quite follow up on the appealing aromas of the nose, but does have a good, refreshing acidity. Again, good value for money, without being particularly exciting. ✪✪✪

Garganega


Garganega is a quality grape often associated with simple, bland wines. Like Cortese, this is all down to yields: keep the yields low and the character of the grape really comes out with a dry mineral quality and white flowers, green apples, citrus, and apricots. It's the grape of Soave, a small hilltop village near Lake Garda in Veneto. Soave must be 70% Garganega; the other 30% of the blend can add to or detract from Garganega's qualities. Basic Soave is produced on flat vineyards, with Trebbiano di Toscano in the blend. The best Soave is produced on hillside vineyards under the Soave Classico DOCG, either 100% Garganega or with Trebbiano di Soave (which is actually Verdicchio) in the blend. It's this kind of confusion which doesn't help the Italian wine industry.

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Dama del Rovere Tremenalto, Soave Classico 2012 ($18.99)
There's an astonishing mineral character driving through this wine (which is 100% Garganega), with piercing acidity and a very dry finish. The fruits - green apples and peaches - hide behind that concentrated acidic dryness. There is something almost Riesling like in its mineral, petrol aromas and its long, dry, acidic finish. An intense, quality, but rather difficult wine. ✪✪✪✪✪

Ribolla Gialla


Found in north-east Italy in the Fruili-Venezia-Guilia region, wines from Ribolla Gialla were drunk by the Venetian nobility in the 1200s. It's vinified in a variety of ways, including oak ageing, skin contact, and being made into sparkling wines. Most commonly it is a light-bodied dry white wine, with high acidity, and citrus, lemon-pepper aromas. It is at its best in the hillside Colli Orientali del Fruili and Collio DOCs of Fruili, producing delicate wines in the latter and fuller bodied wines in the former.

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Vigneti Sant'Helena Ribolla Gialla 2011, Venezia IGP ($19.99)
Unfortunately, @kt_canfield drank this while I was away in France (for which I can't really blame her) so I didn't get a chance to try it. She has, however, repeatedly told me how good it was and provided me with her concise tasting notes: light, crisp, citrus, and orange peel.

Ermacora Ribolla Gialla 2013, Colli Orientali del Fruili ($15.99)
Well, I had to go out and buy another to try for myself. And naturally it wasn't as good: sharp, tart citrus fruits, lacking concentration of flavours or structure. The interesting thing is that the better wine (according to my wife at least) was an IGP, rather than from the more recognised DOC - the best Italian wines can often come from outside the hierarchy.

Vermentino


Also known as Favorita in Piemonte and Rolle in France, Vermentino is at its best on the island of Sardinia where proximity to the sea gives the wines a gripping, saline quality. Where it's grown and how it's made result in quite different wines: from light, young, and refreshing to heavier, weightier wines that have seen some lees or even oak ageing. Aromas can also vary from citrus to tropical fruits, but marked by floral and herbal characteristics.

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Vermentino Cantina di Gallura 2013, Sardinia ($17.99)
Unforunately, this wine was corked - most of the corked wines I have had recently have been Italian, which is becoming something of an issue.

Kerner


A wine from the Kerner grape was thrown into a blind tasting of Italian whites as a surprise element. Kerner is a German crossing of Trollinger (which is a black grape) and Riesling, and of all the German crossings it's the one that comes closest to Riesling in its flavours and very good acidity. In Italy's Alto-Adige, many German grapes such as Riesling, Gewürztraminer, and Müller-Thurgau are found, as the area is heavily Germanic (it's also called Südtirol). The best vineyards are 600-800m high, producing white wines and Pinot Nero with great acidity and aromatics.

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Kerner Cantina Valle Isarzo 2013, Alto Adige ($18.99)
Lots of ripe fruits on the nose, with pears, grapes, oranges, and peaches, and floral notes of honeysuckle and acacia, followed by a wet stone mineral texture and a spicy cinnamon finish on the palate. The alcohol was a little high (at 14%) but with quite concentrated flavours. ✪✪✪✪

Müller-Thurgau


Another German crossing that is at its best in the Alto Adige. Müller-Thurgau has a bad reputation and rightly so: in Germany, it's been valued for its high yields more than the quality of the wine it produces. In the 1970s and 80s, it was planted far more than Riesling and was responsible for bulk wines such as Blue Nun and Black Tower. It was propogated by a Dr. Müller from the Swiss canton of Thurgau in 1882; he thought he was crossing Riesling with Silvaner, but was actually crossing Riesling with a forgettable grape called Madeleine Royale. Despite its widespread planting in Germany, it's actually at its best elsewhere, particularly Alto Adige.

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Kettmeir Müller-Thurgau 2013, Alto Adige ($19.99)
Tasting this wine blind, I would confuse it for a Sauvignon Blanc. It has a very floral, herbaceous nose, with grass, nettles, lemon-pepper, and elderflower, with a citrus lime zest kick on the palate followed by a spicy ginger, nutmeg finish. ✪✪✪✪

Each of these wines is under $20 and of a consistently good quality, demonstrating that Italian whites represent very good value for money. None of them has seen any kind of ageing on their lees or in oak, instead allowing the character of the grape to come through. Despite the different grapes, there are similarities between all the wines which mark a kind of Italian style: high acidity, floral aromas of acacia and honeysuckle, and spicy palates of ginger and nutmeg. None of the wines stands out as outstanding - though the Soave came close - but they all show an improved consistency in the standard of Italian white wine.