Showing posts with label sangiovese. Show all posts
Showing posts with label sangiovese. Show all posts

Friday, 18 November 2016

Montalcino

My second week visiting Italy saw me take the long drive down to southern Tuscany and the famous village of Montalcino. Brunello di Montalcino, made from the Sangiovese grape, is one of the great wines of Italy, but one which I don't get to taste that often in large part due to its expense (in the words of my father, a wine you want someone else to buy for you). Just a few days here taught me a great deal about the region: its beauty, the extraordinary diversity of the wines, and the surprising youthfulness of such a renowned winemaking area.

the hilltop village of Montalcino


styles

The village is located just over an hour south of Florence and the vineyards of Chianti, producing more austere, mature, and long-lived expressions of Sangiovese. The wines must be 100% Sangiovese, called Brunello here, and to be designated Brunello di Montalcino the wine must have been aged for at least five years, two of which have to be in barrel.

However, these rules allow a lot of flexibility, leading to a variety of styles. The traditional rules stipulated four years in barrel, usually old and large, and some producers still follow those historic guidelines. This ageing results in pale, garnet-coloured wines, with a hint of oxidation, and earthy, mushroom aromas. More international producers prefer new French oak barriques, which lead to heavier, darker-coloured, and spicier wines.

Further differences come from where the grapes are grown. Although Montalcino is a small growing area, there are distinct sub-zones - which, frustratingly, the local authorities refuse to map and classify. These differences come from proximity to the sea, aspect, altitude, warmth, and the chances of rain. All of this means Brunello di Montalcino is a difficult wine to pin down. 

history

view over the southern and eastern vineyards
Given Italy's long history, one would think that these many differences have arisen from centuries of winemaking experience. There is, indeed, plenty of history here. The property of my new favourite producer, Sesti, features an eighth-century church that stands on a pagan site dedicated to the Roman god, Janus. However, the modern history of Brunello di Montalcino dates back to just the 1880s, when the region's oldest winery, Biondi-Santi, were the first to make wine solely from Sangiovese (in contrast to Chianti, which has historically been a blend). Until after the Second World War, Biondi-Santi was the sole producer in the region and, although their wines no longer stand out as they once did, they laid the benchmark for the standards and practices of the area. For thirty years after the Second World War, Montalcino was a deprived and unpopulated rural ghost town, until the 1970s saw gradual investment followed by a boom of interest in the 1980s. Now, there are over two hundred wineries. It's astonishing to think of this beautiful area, dominated by prestigious wineries, and attracting visitors from all around the world, as neglected and poverty-stricken, but that's how far Montalcino has come in just under fifty years.

the other Montalcinos

The wines are expensive, and require patience on the part of both the producer and the consumer. There is a younger wine, though, called Rosso di Montalcino which only requires a year's ageing before release. The temptation is to dismiss it as a younger, fruitier, and inferior version of Brunello, but Elisa Sesti evocatively described it as an opportunity to "herald the new vintage," a chance to taste the region's wines three or four years before the Brunellos are released. On the other scale is Brunello di Montalcino Riserva, which is aged for at least six years before release, three of which must be in barrel. These are substantial, oaky, tannic wines which are not for the faint-hearted.

There a few whites made, but the only one to fall under an official Montalcino classification is Moscadello di Montalcino, which can be still, sparkling, or sweet, and is made from the high-quality strain of Muscat, Moscato Bianco. Despite the contemporary dominance of Sangiovese, Moscadello is the historic wine of Montalcino, dating back to at least the 1500s.

wines


Capanna Moscadello di Montalcino 2014 (€11; ✪✪✪✪)

The sweet, late-harvest version of Moscadello, which must be aged for at least a year. Low in alcohol (9.5%), rich in floral, grape aromas, but light bodied, refreshing, and high in acidity. Despite the low alcohol and light body, the sweetness of the wine stood up to chocolate. As testament to the friendliness of the locals of Montalcino, everyone at my table was given a complementary glass at the end of a delicious meal. 

Sesti Rosso di Montalcino 2014 (€19; ✪✪✪✪✪)

This is a superb example of a Rosso: youthful, fruity, approachable, but with complex layers beneath that fruitiness, with grainy tannins, lively acidity, and depth of flavour. This is Montalcino at its youthful best. 

Castello Romitorio Brunello di Montalcino 2011 (€40; ✪✪✪✪✪)

The latest release across the board of Brunello is the 2011 vintage, which saw a very warm summer, resulting in wines with very ripe, forward aromas. What's astonishing about the wines, including this one, is the high acidity despite the warm vintage. It's tingling, offsetting the ripeness of the wine and balancing the tannins and spices from the oak. The fruitiness of the wines makes them very enjoyable now. 

Sesti Brunello di Montalcino 2008 (€50; ✪✪✪✪✪✪)

I tasted the 2008 and 09 side by side. The latter (✪✪✪✪✪) was noticeably spicier and riper, while the 2008 was subtler but still very expressive with aromas of smoke, earth, red cherries and raspberries, figs, dates, and prunes, with grainy tannins and a long, gradual finish. Sesti are one of the traditional producers who use large, old oak barrels (as well as closely following ancient lunar calendars), and it's this more restrained style of Brunello which I prefer.  


Tassi Selezione Franci Brunello di Montalcino 2004 (€120 in a restaurant; ✪✪✪✪✪✪)

Due to the long ageing before release, as well as the naturally high tannins and acidity of Sangiovese, Brunello is a wine which will develop maturity and complexity with time. At twelve years old, this is a wonderfully expressive wine, still with fresh red fruit, herb, and spice aromas, on top of earth, mushroom, and dried fruits. The tannic and acidic structure hold the wine together, and will do so for some years yet. This 2004 was drunk alongside white truffle pasta and guinea fowl - an indication of the rich foods that Brunello will soften. 

There are perhaps few greater, more memorable experiences in the world of wine than tasting older Brunello. There's a sophistication, a subtlety, and a beauty to these wines which is best not described but simply tasted and enjoyed. I know I will be drinking a lot more Brunello than I used too, and my life, if not my wallet, will be richer for it. 

Thursday, 24 July 2014

Washington State

On a very wet afternoon, I visited three wineries in Woodinville, an area north west of Seattle where some of Washington state's major producers are based. As the cold, wet weather in mid-July suggested, this is not vine-growing country; instead, producers buy grapes from eastern Washington and make the wine closer to the crowds of drinkers of Seattle.

where?

The contrast between Seattle and eastern Washington could not be greater. Seattle is a green, hilly city surrounded by mountains and water, with active volcanoes just 90 miles away. Average rainfall is 45-50 inches a year, meaning that serious viticulture is all but impossible. East of Seattle are the Cascade mountains, a bleak, rocky range which break up the rain from the Pacific and create a very different environment beyond the mountains. Eastern Washington is arid, hot, and almost desert like, with rainfall as little as 4-8 inches a year.

Washington's wine industry has expanded hugely over the last twenty years; from 12 wineries in 1980 to 60 ten years later to over 700 today. It's now the second largest wine-producing state in the US, although California produces over 90% of the country's wine. There are eleven, and arguably too many, AVAs (American Viticultural Areas) for such a young wine region: the entire wine area is Colombia Valley AVA, within which the most important AVAs are Yakima Valley and Walla Walla Valley.


grapes

Washington produces wine from a huge variety of grapes, which is both to its advantage and disadvantage. Unlike Oregon and its Pinot Noir, Washington lacks a signature grape which consumers can identify the state with; at the same time, this allows winemakers a freer range of possibilities.

During the 1990s, Washington was most strongly associated with Merlot. In June 1991, the Washington Wine Commission met to discuss how best to promote the state's growing wine industry. They briefly discussed Cabernet Sauvignon before realising the futility of competing with Napa Valley, settling on Merlot, a grape little planted and largely unknown in the States at that time. Coincidentally, in November 1991 60 Minutes broadcast a documentary, "The French Paradox," which claimed that drinking red wine had health benefits. This led to the fashion for Merlot, which Washington was well positioned to take advantage of.

Despite its notorious fall from grace, Merlot is still the third most sold varietal wine in the US and Washington would arguably do well to reclaim its status as the best state by far for the grape, giving the state a stronger identity than it currently has. Washington Merlot at its best has ripe, rich red and black fruits, with a high acidity, and a coffee toastiness from the use of new oak.

The other black grapes that thrive in Washington are Cabernet Sauvignon and, increasingly, Syrah; there is great potential for Sangiovese and Tempranillo, though the American market remains addicted to French varieties. The most planted grape in the state, perhaps surprisingly for such a warm climate, is Riesling: astonishingly, Chateau Ste. Michelle is the largest producer of Riesling in the world (and that doesn't include the other brands it owns). Washington Riesling is made in a whole variety of styles of sweetness, but is recognisable for its stone and tropical fruits. Chardonnays are beginning to become less oaky and more balanced, while Washington's best whites are perhaps from less fashionable Sauvignon Blanc-Sémillon blends.

Tempranillo in véraison

wineries

Betz Family Winery

Bob Betz worked for Chateau Ste. Michelle from 1974, until establishing his own winery in the late 1990s. In the meantime, he became one of the most important exponents of Washington wine, both in promoting the wine outside the state and in defining the most suitable areas for planting. He's now the only Master of Wine in the US actually making wine. At 5,000 cases a year, production is small and focused on high-end Cabernet Sauvignon and Syrah.

My visit focused on two vintages from two single-vineyard Syrahs, La Serenne from Boushey vineyard in Yakima and La Côte Rousse from Ciel du Cheval in Red Mountain. La Serenne 2010 was subtle and elegant, with juicy blackberries, light pepper, and a slightly dusty finish: just beginning to open up now, but with lots of ageing potential still. The 2012, which will be released in September, was too young but still indicative of the warmer vintage - earthier, thornier, with darker fruits. La Côte Rousse is a richer, warmer wine, from a hotter, sandier vineyard (though just 20 miles away). The 2010 was far more pungent than La Serenne, its smokiness almost peaty, with tobacco leaves, ripe blackcurrants, and sweet spices. Again, the 2012 is a little too young, but showing an additional, engaging floral character.

Delille Cellars

Just a four minute drive away are Delille Cellars, established in 1992. Many of their grapes are sourced from Red Mountain AVA, particularly from Ciel du Cheval and Grand Ciel vineyards, the latter established by the winery in 2001. Highlights included the Ciel du Cheval 2013 Roussanne, a complex yet immediate and refreshing wine - nutty and yeasty, with stone and tropical fruits. This is part of the "Doyenne" series, focusing on Rhône style wines, but it's Bordeaux blends the winery specialises in. The D2, named for the road which goes through the Médoc in Bordeaux, is their best-selling wine and is a good example of a Merlot-based wine from Washington, with black fruits, cedar, and a nice spicy finish. The flagship wine is the Cabernet Sauvignon dominated Harrison Hill from Snipes Mountain AVA. Complex, maturing flavours of tar and leather, smoke, black tea, and figs, as well as cassis and brambles, though with a subdued finish. A very good wine, but at a hefty $85. My favourite wine, though, was a white, the Chaleur Estate 2013 - a blend of 65% Sauvignon Blanc and 35% Sémillon. Cellared in the last three White House administrations, this is a complex wine that shows all the best of Bordeaux blends - oaky and creamy, smoky and toasty, with lemon, spices, and brioche, and a barnyard feel.

Brian Carter Cellars

Unfortunately, I missed the opportunity to meet winemaker Brian Carter, described to me as "the librarian of Washington wine," and didn't get the full story to his winemaking philosophy. All of his wines are blends, often quite unusual, taking advantage of the number of varieties grown in Washington, as well as growers' and winemakers' increased understanding of how to get the best out of the different varieties.

I did get to taste six of his wines. Oriana is a unique blend of Viognier (53%), Roussanne (32%), and Riesling (15%), which was aromatic, nutty, with a spicy finish. Together with the peach and nectarine aromas, this was a wine expressing, yet integrating, all three of the varieties. Tuttorosso 2009 is a super Tuscan blend, which seems to be how Sangiovese is most used in Washington. I was looking forward to this, but found it a little simple with smoky red cherries and light spices. The most interesting was the Corrida, a blend, which I can only assume is unique, of Tempranillo (62%), Graciano (12%), Merlot (11%), Cabernet Sauvignon (9%), and Garnacha (6%). Evocative of grilled sausages, with a peppery finish and dry tannins, this is a wine definitely doing its own thing, and no Rioja clone.

These are just three of Washington's 700+ wineries, but which give a good indication of the range and style of the state's wines. I hope to be back before long to taste more, but for now I'm off to California to explore the Golden State.